I am a writer. I like to write. I love the written word in all its forms — crossword puzzles, word searches, the satisfying rhythm of a sentence that finally lands just right. Words have always felt like companions to me, steady and familiar, waiting to be arranged into something meaningful.
And I love pens. I’ve gathered a small but meaningful collection over the years: the wood‑grain pens that feel like little sculptures in my hand, the “stars & stripes” pen emblazoned with "God Bless America" on its barre. It came from a dear friend for my 60th birthday; the sleek “bullet” pen, and a handful of others that each carry their own small story. My newest addition came from Winslow, Arizona — a wood‑grain pen stamped with “Standin’ on the Corner Winslow Arizona”, complete with a little guitar leaning against a streetlight on one side and the Route 66 shield on the other. It’s the kind of pen that isn’t just a writing tool but a souvenir of a moment, a place, a lyric brought to life.
And the neat thing about pens is having to figure them out. Every new pen is a tiny mystery. Will this one twist to reveal its writing tip — and if so, does it twist at the top or the bottom? Or will it click at the top with that satisfying little snap? Or, like my “bullet” pen from Shipshewana, will it have that clever sliding mechanism — the little metal slide you pull down to lock it in place, the tip emerging from the bullet end like a secret being revealed? What will they think of next?
And what ever happened to blue ink? Somewhere along the way, without really noticing it, I evolved from blue to exclusively black ink. Every pen I reach for now writes in black. There’s the occasional red pen, of course — reserved for those special bits of correspondence or documents that need a little “red flag” emphasis. But blue? It quietly slipped out of my life.
That is, until we updated our legal documents recently and were told we had to sign in blue ink — to prove the signatures were originals and not photocopies. Touché. After years of abandoning blue, there it was again, stepping back into the spotlight for one last official duty.
And the irony of all this — pens, ink, handwriting — isn’t lost on me. The handwritten letter has almost vanished these days. Once upon a time, a letter felt like a small treasure, something you held, unfolded, reread. Now the U.S. Postal Service seems in no particular hurry to deliver anything; letters wander the country like lost tourists before finally reaching their destination. Meanwhile, the typewriter — less personal, maybe even a bit cold — allows thoughts to spill out immediately, without waiting for my fingers to catch up with my brain. It’s a tradeoff, really: the personality of handwriting versus the rush of thoughts that demand expression now. One offers warmth; the other offers speed. And somehow, both still matter.
Of course, pens were only part of my education. The real foundation came from typewriters. I’ve written before about my affection for those clunky, glorious machines, but it bears repeating: typewriters are awesome. I earned a living off the skills I learned in Mr. Bjerke’s typing class — those old Royal typewriters with the green, blank keys that forced you to learn touch‑typing or perish.
They sat in perfect rows, those Royals, like soldiers ready for battle — except the battle was with us. They looked like metal monsters, too, the kind of machines that could survive a boulder dropped on them without so much as a dent. Heavy, loud, unforgiving, and absolutely magnificent.
Over the years I’ve owned a few old typewriters myself, including an Underwood like the one Dad used when he was Alexandria’s city auditor. That machine looked like it had survived a century of hard work, and maybe it had. I don’t have room for a typewriter anymore, but the longing never quite goes away. Recently we wandered through an antique mall filled with old, beautiful typewriters — Royals, Underwoods, Smith‑Coronas, each one a little time capsule. If I had the space, I’d own them all. The stories that poured from those machines… I swear you can almost hear them humming under the dust.
It’s hard for me to pass them up. Those wonderful machines unlocked entire worlds for their owners. They were the gateway to letters, novels, newsrooms, love notes, term papers, and the first shaky attempts at poetry. Amazing. Even the IBM Selectrics — the sleek, modern upgrade from the clattering Royals — felt like a revelation. Being able to backspace and correct a typo instead of balling up a sheet of paper and starting over? That was an advancement for the ages.
And then, of course, came the computer. Suddenly we didn’t have to worry about typos at all. Spell‑correct and grammar‑check swooped in like benevolent editors, smoothing out our rough edges. The tools changed, but the thrill of writing — of watching words appear, one after another, forming something meaningful — never did.
Pens, typewriters, keyboards… they’re all just instruments. But they’re the instruments that shaped my life. They taught me discipline, patience, creativity, and the quiet joy of turning thoughts into something you can hold in your hands. And for a writer, that’s everything.














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